VO MOMA Re-Opening, November 2004, New York.—There’s a lot of art…

I have to see it six more times…I have to work the show…nice to meet you… right…so, you’re from Ohio…I had no idea…you have the Rock ‘n Roll Hall of Fame…spread the good word…it’s  fabulous…whose the artist?...he’s speaking at the MET…what about New Year’s…looks British…yes, yes…it’s a new acquisition…I like this better…it’s crass and sophomoric…excellent, excellent…I know, perfect…yes, yes… that reads, ‘paint on wall,’ look what it says ‘paint on the wall’... I don’t know…this is …not compared to the stuff upstairs…………………………………………………………. ………………………………………………………………………………….I’ve only been in New York for six weeks…and then...did you…did you see this…they’re projecting right in the room…what…let’s go down a level…that’s the membership that  gets you in free…I don’t know why I got it, honestly…most have something to do with…yes, yes…you have to schedule…the Europeans do it…did you get it…out of the blue…maybe because  I’ve been a member for years…I go the movies…if you go nine times…I joined because of the films, not the art…where to you live?...Union Square…Hoboken…I’ve moved…57…I had no idea…………….…what this is…no wait…it’s like…oh, your kidding…she does wonderful work…she really helps her people…this space it perfect…take you camera out…exposures…three years…that’s right…you’re right here…what do you want to do?...I don’t know…it’s that or white on white…the sad thing is I was waiting for you...I’m at the eye,  Magritte…where are you? I think…is Paloma a painter…on the floor…no, not yet… it’s downstairs…………….. ………………..……………………………………………………………this Friday… maybe we’ll see you…we have a dinner engagement…Greg loves Klee…Brancusi…yes, Brancusi…keep going…then you reach the end…and he was starving…right…so  it may be a dream…that might explain it…all these things…that have been hidden for all these years………………………………………………………………………………………..This room is almost exactly the same…I’m living out of boxes…I didn’t know…I don’t remember this, do you?...there’s some movement…you see that…who’s the kid that did Mercury…that’s true, so he’s old school…it seems so…if you look at it…the reason…it may be original, but it was like…let me research…what’s your cell number?...two Gris and three Picasso’s…overwhelming…you just look at this one and then let’s go…I think it shows…did you see that room?...I was just going to say…I need the ladies room…….. ………………………………………………………………………………………………giving it the once over…this makes the Whitney look like ……would you like some of these? I wonder…you’re not leaving until I’m done…they like catalogue every single thing… actually I wish I  could have seen it…it has steel walls…it was basically like…oh…been there…there was an internal stairs…you want to go up………………………………….………………………………………………………………………… there is something warm about this…I want to meet…meet us on   two…you can always come back…do you want to look at photography…I went on a date with her and nothing happened… that’s what I said, ‘we need your input…  ‘burn off the hairs around  my nipple….’ …her parents love me…all of a sudden…each and every time…as opposed to?...would  you like some more wine? He tries to make it easy for me. I don’t know how to make it all work… I’ll do it a couple of times… I love it.  It’s like….It’s hard…I think this is pretty cool…I don’t think it sucks…I think it vastly overrated… I like it…I know…Should we get into the coat line? –Holly Crawford

This work is copyrighted by Holly Crawford, 2004.  Please  quote and cite if you want to use this material.  Thank you